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Product Description ------------------- Sexually explicit French crime movie which stirred up some controversy on release. Manu (Raffaela Anderson) is on the run after shooting a man with his own and stealing his money. She soon meets Nadine (Karen Bach), also on the run having recently strangled her roommate. The pair team up and are soon involved with lots of sex, violence and a trail of dead men, with the following closely behind. .co.uk Review ------------- When it comes to on-screen sex and violence it takes a lot to unnerve the French authorities, but Baise-Moi managed it. Three days after the film opened it was pulled from over 60 cinemas across the country, causing a major rumpus, and only allowed back after it had been reclassified X, a category normally reserved for hard-core porn. The title translates literally as "Fuck me", which pretty well sums up the b, in-your-face style of the film. The classification was not inappropriate, given that the film features plenty of genuine, unsimulated sex. Anyone hoping for arousal, though, might do better to look elsewhere. Baise-Moi is written and directed by Virginie Despentes and Coralie Trinh Thi, working from Despentes' novel ( /exec/obidos/ASIN/229030879X/${0} ), and stars Karen Bach and Rafaella Anderson. Despentes is an ex-prostitute, while Trinh Thi, Bach and Anderson have all acted in porno movies, and what they give us here is sex as female vengeance, a screwing-and-killing rampage that turns the tables on a violent male world. The movie's been compared to Thelma and Louise, but a closer comparison might be with Henry, Portrait of a Serial Killer. As in most porno movies, the plot is the merest pretext. Nadine (Bach) is a part-time prostitute, Manu (Anderson) is a rape victim. When they meet up both have just killed, more by chance than design. On a whim they link up and take off across country, screwing and killing almost every man they meet. They kill a few women, too, just to even things up. The film's on crude digital video; technique is minimal and the acting is rudimentary. There's a certain raw energy that prevents the film from becoming totally depressing but the brief running time (77 minutes) comes as something of a . --Philip Kemp