Doom Asylum

Description

If you thought Sex and the City 2 was a stomach-churner, you ain t seen nothing yet! Long before playing one of Carrie Bradshaw s best gal pals, actress Kristen Davis found herself up against an altogether different kind of horror in 1987 s Doom Asylum: a riotous mix of gore, gags and goth girl groups galore!When a group of horny teens wind up on the grounds of a creepy abandoned asylum, they think they ve found the perfect place to party. Little do they know that inside the building s crumbling walls lurks a freakishly deformed maniac, driven to madness by the tragic loss of his fiancée in a car accident. With an array of grisly surgical tools at his disposal, it s only a matter of time before the youngsters begin meeting various splattery ends at the hands of the ghoulish Coroner.Helmed by director Richard Friedman (Scared Stiff and Phantom of the Mall: Eric s Revenge), and also starring Penthouse Pet of the Year 1988 Patty Mullen (Frankenhooker), Doom Asylum combines outlandish gore and a wise-cracking villain to create one of the most wildly entertainingly blood-spattered slashers of the late 80s.SPECIAL EDITION CONTENTS Brand new 2K restoration from the original camera negativeHigh Definition Blu-ray (1080p) presentation1.85:1 and 1.33:1 versions of the feature Original uncompressed PCM mono audio Optional English subtitles for the deaf and hard of hearingBrand new audio commentary with screenwriter Rick MarxBrand new audio commentary with The Hysteria Continues Tina s Terror - a brand new interview with actress Ruth CollinsMovie Madhouse - a brand new interview with director of photography Larry ReveneMorgues & Mayhem - a brand new interview with special make-up effects creator Vincent J. GuastiniArchival Interviews with producer Alexander W. Kogan, Jr., director Richard Friedman and production manager Bill TasgalStill GalleryReversible sleeve featuring original and newly commissioned artwork by Justin OsbourneFIRST PRESSING ONLY: Fully-illustrated collector s booklet featuring new writing by Amanda Reyes